Last year, this weekend—typically the start of a busy summer full of Hollywood blockbusters—saw box-office revenues plummet to $843,000, according to Comscore. The Covid-19 pandemic meant most theaters were closed and people were sheltered at home watching shows and movies on their televisions and devices. While the weekend’s total represents a significant rebound, domestic ticket sales for all movies during the Memorial Day holiday pre-Covid have tended to surpass $200 million.

Still, with the highest-grossing weekend in more than a year, “A Quiet Place Part II” did what avid moviegoers and Hollywood power players hoped it would: demonstrate that moviegoing—a business which has survived past existential threats like the advent of television and then home video—remains a resilient industry despite consumers’ increased adoption of streaming services.

Distributed by

ViacomCBS Inc.’s

Paramount Pictures movie studio, “A Quiet Place Part II” picks up where the original, 2018 breakout box-office hit left off, following members of a small family as they navigate a post-apocalyptic world where survivors seek shelter from deadly monsters that have a keen sense of hearing. Actors

Emily Blunt

and

John Krasinski

both reprise their roles. Mr. Krasinski, who has surprised fans at some early screenings to drum up interest in the film, also wrote, directed and produced the movie.

The film has scored high with critics and audiences, registering a CinemaScore fan rating of A- and a rating of 91% on review-aggregation site Rotten Tomatoes.

Paramount’s film had competition.

Walt Disney Co.

’s latest theatrical release, “Cruella,” also premiered in theaters, grossing $26.5 million over the long weekend. Unlike “A Quiet Place Part II,”

Disney’s

DIS -0.22%

101 Dalmatians’ origin story starring

Emma Stone

and

Emma Thompson

can also be watched at home via streaming service

Disney

DIS -0.22%

+. Viewing the movie from home costs Disney+ subscribers an additional $29.99—on top of the usual $7.99 monthly subscription fee.

A handful of other titles released in recent weeks, including

Lions Gate Entertainment Corp.’s

“Spiral,” from the Saw franchise, helped Hollywood reap its biggest weekend in more than a year despite the majority of theaters still observing limited capacity restrictions and requiring moviegoers to wear masks.

Going into the weekend,

Chris Aronson,

Paramount’s president of domestic distribution, said he and his team would have been pleased if ticket sales for “A Quiet Place Part II” exceeded $40 million.

Mr. Aronson said he was surprised with how well the movie did considering the film had plenty of competition. “It’s phenomenal. It’s really a terrific result,” he said.

The weekend’s box-office returns—considering nearly 30% of North American theaters have yet to reopen, according to Comscore—will likely provide both theater owners and moviegoing devotees ammunition as they advocate against releasing films both online and in multiplexes simultaneously.

During much of the pandemic Hollywood studios experimented with various release strategies, including skipping theaters altogether and hybrid distribution strategies where movies made their debuts online and in theaters simultaneously or after a truncated run in multiplexes. Each move represented a major departure from a longstanding system that gave priority to the theatrical release, with theater owners enjoying about 2 ½ months of exclusivity.

At least two coming high-profile releases will follow a different path than both “A Quiet Place Part II” and “Cruella.” Out June 11, the musical “In the Heights” will be distributed simultaneously to theaters by

AT&T Inc.’s

Warner Bros. and online on HBO Max for no additional charge. Additionally, the latest installment in the Fast & Furious franchise, “F9”—distributed by

Comcast Corp.’s

Universal Pictures—will have an exclusive theatrical run of about a month starting June 25 before becoming available online via premium video-on-demand platforms.

Mr. Aronson, who suspects the array of different distribution strategies could lead to consumer confusion, said Paramount’s strategy of showing high-profile films like “A Quiet Place Part II” and the coming “Top Gun” and “Mission: Impossible” sequels exclusively in theaters for 45 days sufficiently supports theater chains.

“We crunched a lot of numbers to get to the conclusion that across five years worth of film [releases], 98% of box office is done in 45 days,” he said.